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T.G. Heuser Compnay - Expert historical inquiry

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T.G. Heuser Co. Encyclopedia

132 Broadway East - Seattle, WA

By Tom Heuser, February 14, 2016

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Much like the ubiquitous e-bike or scooter rider zooms past the Capitol Hill Light Rail Station today, a child speeds by the same location in 1953 with blurred motion on a foot-powered cruiser seemingly destined to collide with the woman turned away. Evidence that some things never change. Meanwhile, a dapper gentleman looks directly at the camera as a Seattle City Light employee across the street takes a picture of the potentially imminent mayhem. Behind this harrowing scene stood a simple utilitarian commercial building clad with stucco that would likely have gone unnoticed in its day were it not for the flamboyant neon sign of its first anchor tenant, the Congo Room, a restaurant and cabaret cocktail bar. The Congo Room was just one of an eclectic ensemble of small businesses that called this building home over the course of its 60 year life on one of Capitol Hill's busiest street corners.

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Design and Construction

Constructed in 1950, the building was a project of the property owner and renowned Pacific Northwest builder, "the boy wonder," Harry Lewis (1900–1966, image 1) and his eponymous Lewis Construction Company. Coincidentally, the project was just a stone's throw away from Harry's  more infamous brother Alex (1896–1967), who owned the adjacent properties to the east including the St. Albans Apartments and had become notorious for his career in illegal gambling. In 1949, Harry hired veteran Seattle architect Gerald C. Field (1885–1965, image 2) to design the International style commercial building just months after they collaborated on a 500-home federal housing project in Anchorage, Alaska. A much simpler project, 132 Broadway East was constructed of concrete blocks on its east and north walls, and a combination of stucco-clad wood framing and broad spans of  polished aluminum-frame window walls on its street facing facades.

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The Congo Room

Not to be confused with the comparatively short-lived and black-owned Congo Room founded by Sherman Spates (1893-1943) in Seattle's International District in the 1940s, this Congo Room was the second known business venture of Broadway-based restaurateur Sylvia Beck (né Bon, 1917–2014). It is unknown whether Beck had any connection to the original Congo Room or if she just appropriated the concept. However, given her preexisting interest in music and theming her restaurants on the cultures of far-flung places as evidenced by her other restaurant up the street known as the Luau Barbecue, the former was certainly possible, but given the custom of the time, the latter was more likely.

In any case, the permit and plans for "Bon's" Congo Room (also called Cafe or Grill and Congo Room) were filed while the building was still under construction. The permit identified contractor A.W. Brown or Braun as the builder and John M. Beaufort (1902–1983) as the structural engineer, but no architect, so perhaps the restaurant was Bon's own design. It called for a Restaurant in front with asphalt tile floor, a large and bending lunch counter at one side, terminating in a pie case, and booth seating at the other. The space between the two formed a central corridor leading patrons to restrooms and the windowless and carpeted cocktail bar and lounge in the back with comfy wedge seating undulating around a grand piano at one end and a U-shaped bar at the other.  At 8 feet 8 inches, the ceilings in the lounge were purposely three feet lower than those of the Restaurant space for a more intimate experience with exception of a vaguely pork chop or steak shaped cutout above the piano and wedge seating that rose to 9 feet 8 inches and likely contained ample amounts of mood lighting and a spot light for the piano.

After construction on the building and the Congo Room were completed in May 1950, Beck began the hiring process in August. The cook who responded to this ad would very likely have been Mel Fortson (1919–1983)  who reportedly got his start at the Congo Room in 1950 and worked there for several years before becoming a much beloved chef and culinary instructor at Seattle Central College.

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Early Musical Acts

Some of Congo Room's early alumni who were just getting their start alongside Fortson were John Pietromonaco Jr. (1930–1997, image 1) and Bob Alcivar (1928–, image 2, later in life). By 1953, Pietromonaco was playing piano there to pay his way through Seattle University. He went on to become renowned pianist all along the west coast. Alcivar, who performed on keyboard at the Congo Room in 1954, found praise that year in the Seattle Post-Intelligencer which exclaimed that "after far too long, good music is back in the Congo Room." He went on to form a vocal group "The Signatures" who later signed with Warner Brothers and toured the country. 

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Increasing Publicity

As the 1950s wore on, Beck's establishment started becoming a regular talk of the town both for the better and, on at least one occasion, the worse. In 1955, a group of black high school students sued Beck for her refusal to serve them when they tried to order a meal there after the Garfield High School prom and waited an hour before leaving. The judge awarded the students $723 in damages under state law that prohibited refusal of service because of race. Beck of course denied any discrimination, but given her seemingly flippant testimony that "the meal was ready to be served when they left," she was probably guilty. Regardless, the onerous situation had little if any affect on her business going forward. In fact, even Seattle Post-Intelligencer Columnist and people's champion, Emmett Watson began to take notice in 1956. At first briefly quipping in his regular column "This, Our City" about Congo Room's "latest eye-popper... a gorgeous Oriental [sic] cocktail waitress with ... a ... profile" and later occasionally reporting on its various hyjinks and banter (See newspaper clippings below).

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By 1958 in fact, even the prolific Hollywood actor John Carradine (1906–1988, image 1) had taken a liking to the Congo Room where he stayed after closing time and with "his baritone... reminiscent of Pinza... teamed with pianist Johnny Morrison (1924–2016, image 2) and rattled the glassware with selections from South Pacific." Morrison was a local musician who played with Quincy Jones (1933-2024) in Bumps Blackwell's Junior Band.

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With so much buzz building around her thriving nightclub, Beck applied for a cabaret-music license in February 1960 so she could start hosting live music on a (nearly) nightly basis. Like before, performances were typically of the organ and piano variety but later included guitar and ukulele.  Two performers in particular stand out. One singer and pianist, Billy Wilson, so impressed Sylvia in 1968 that she had a revolving stage built for him. The second was Don Isham (1904–1981, pictured below) a popular organist who'd worked in Seattle Radio since the 1920s and performed for NBC-TV in Hollywood with stars such as Andy Williams (1927-2012), Jack Jones (1938-2024), and Eartha Kitt (1927-2008).  In 1967, Isham began experimenting with electronic music.  This new act of his, accompanied by a light show and described as a "shakedown cruise" premiered at the Congo Room in the summer of '69.

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Congo Coda

Although business continued steadily into the 1970s it was never quite the same as conditions started to decline. However, a former resident of the nearby Eileen Court apartments, also demolished for the light rail station, said that the Congo Room had the best Patty Melt in Seattle, friendly staff that never ran you off, and "free" toilet paper for poor Seattle Central College students. But unfortunately, the free TP spree couldn't last forever.  On October 28, 1975, The health department shut down the Congo Room citing 49 demerits.  The following summer, all of the Congo Room's furniture, appliances, and supplies went up for public auction.  As for Sylvia Beck, she went on to live a long life.  Her 2014 obituary says she was a "successful restaurateur" despite the Congo Room set back.  She died at the age of 96.

Lion O'Reilly's and B.J. Monkeyshine's Old Fashion Bar and Grill

With 132 Broadway E now vacant, developer Colin W. Radford (1936– ) and architect David W. Gee (1934– ) "enthusiastic" fans of the "cities-are-exciting" movement, proposed to redevelop the site into an interior shopping court called "Broadway Gardens" essentially a mall.  Nothing ever came of this proposal (thank goodness!) and instead Red Robin Founder Gerry Kingen (1943– ) and his business partner Don Stangle (1944–2020) moved in and opened a one-off restaurant separate from the Red Robin franchise.

They would dub this new establishment Lion O'Reilly's and BJ Monkeyshine's Old Fashion Bar and Grill.  Quite a mouth full.  The name owes its origin to the original neon sign from the Congo Room.  Gerry and Don apparently wanted to keep it so they came up with a goofball name to accommodate it.

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While Congo Room's gay and lesbian patrons vehemently lamented and  in one instance vandalized the new joint for gentrifying the neighborhood,  it ultimately a smash hit with local restaurant critics and new patrons alike. One review does such a great job of capturing the experience, I probably couldn't do the full experience justice by paraphrasing it.  But if I were to try I'd say that it was definitely a touch classy and upscale, but with no pretension; they really had a sense of humor about themselves and the business overall.  Gerry and Don were just  a couple of wise guys.  The latter point really comes out in their advertising and menu items, pictured below.

As mentioned in the middle ad above, business continued to do so well that on its first anniversary, Gerry Kingen bought out his business partner Don Stangle and closed the restaurant for a few months to do a $250,000 remodel and expansion. Curious to know where Don ended up? He seemed to be doing hilariously just fine by 1980 despite being aptly called "irresponsible" by a Seattle Times columnist later that year.  All this came on the heels of a boom in the restaurant industry, which had just passed its peak when Don Stangle sold his way out.  According to the King County Health Department, hundreds of Seattle Restaurants had closed between 1979 and 1980.  Luckily Kingen innovated, citing the adoption of new computer technology, reorganizing the books, and offering of lower price menu options.  In so doing, he actually managed to expand his Red Robin venture while keeping his one-off projects going like Lion O-Reilly's.  He describes his method in greater detail here.

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Innovations also included publicity stunts such as their "name the lobster contest" in which they promoted a massive and live 23 pound lobster "the largest west of the Mississippi" shipped fresh from the east coast in 1983.
 

Fresh lobster had always been staple at Lion O'Reilly's, but they had to find ways to remind people that theirs were the best. However, this lobster was never actually served as food.  In December of 1983 Lion O'Reilly's held a homecoming fundraiser to have it sent back to Maine and released into the wild.  It was even brought to the airport in a limo.  

However, as Kingen made pretty obvious in his public statements in the early 1980s, his sights were set on expansion, corporatism, and international franchise licensing.  So it comes as no surprise that small one-off projects like Lion O'Reilly's and BJ Monkeyshines were

 

not compatible with that vision.  So by late 1986, he shut down the venture and by 1987, Pagliacci Pizza, founded in 1982 by Dorene Centioli McTigue, opened up shop there for a few years.  Nowadays you can find Pagliacci all over Seattle including 426 Broadway E just up the street where they've been for more than 10 years at the very least.

Perfect Copy and Print
By 1990 this corner lot would no longer host any bar and restaurant combo with lounge music or wiseguy antics.  Times had changed.  Instead an unassuming copy shop took its place and quietly carried on here for 19 years until Sound Transit gave them a 90-day eviction notice in late 2007.

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The founder and owner Asif Rehan Alvi, pictured below, poses in front of his shop for a 2008 interview with Business Journal shortly before its closure.  He managed to snag a new location only a block south across the street and despite it being smaller, less visible, and more expensive than his former more luxurious digs he still considered himself lucky.  His business has been chugging along to this day, but is now located in the 12th Avenue space formerly occupied by a laundry business by the name of "Lather Daddy" a space much better equipped to handle large printers.

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And Off To The Side...
Lest we forget, while the corner space in the 132 Broadway East building may get all the glory, it wasn't the only one in the building. Tucked away behind the Congo Room was the 905 East John Street space. Alright, so first off, yes, what an awful photo.  Not only was it shot from a highly skewed angle, but one can imagine the county employee who took this photo must have thought "good enough for government work" after he watched this car speed across the frame, obscuring much of what he was sent to photograph and assess. The County should have hired the City Light employee who came back here a few years later to take a much better photograph, but I digress.

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McBreen and Associates, Furniture and Interior Decorators
On January 14, 1951, Robert L. McBreen (1911-1991), who had already been in the furniture business under the employ of (Richard) R.J. Skewes (1901-1959) since about 1940, opened up his own design store at 905 East John along with his two protégés Richard Sargent (not to be confused with the actor or the illustrator for Saturday Evening Post) and C. Edwin O'Neal (1923-unknown) all pictured below at various points in their lives. XXX

1943 Seattle Times - Robert McBreen, Rosemary McAnerney wedding photo (enhanced)_edited.jp

Born and raised in Seattle, interior design came naturally to McBreen. From an early age, he had been fascinated with the old furniture and antiques that belonged to his grandmother and the family of a lifelong childhood friend. Thus, it comes as no surprise that McBreen became known as a traditionalist in his design tastes, but at the same time, he insisted that home decorating be a gradual process and that his and his associates' designs ultimately be an expression of their customers' personal taste. Granted, a shared affinity toward the traditional would likely have been a prerequisite. 

 

In any case, McBreen's arrival at 905 East John Street, preceded by Del-Teet Furniture at 127 Broadway East and R.J. Skewes at 211 Broadway East and followed soon after by Keeg's at 1819 East Olive Way a couple years later marked a roughly half-century epoch during which the Broadway district would be known city-wide as "decorator's row." Proving there was ample room for competition (and cooperation) in the post-war period when new homes in need of furniture and decor were increasingly plentiful. By 1965, there were at least seven such shops organized as the "Broadway Fine Furniture Association."  As a group, they organized all sorts of tours, exhibitions, contests, and parties. McBreen in particular stood out as an "accomplished entertainer" who was "quite a cook" and "threw and frequented some of Seattle's most glittering parties" many of which occurred at his unassuming Capitol Hill home.

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As for McBreen's associates, some, like Richard Sargent, spent their entire careers designing interiors with McBreen while others, such as Louise Bettner, followed McBreen's example by starting her own design business. Below are a few of these associate designers and examples of their designs.  Their work earned them international recognition.

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By the late 1970s, Robert McBreen doesn't appear to have a public presence--at least not in the Seattle Times.  Instead his associates, Richard Sargent, Walter Baz, and Neil Blaisdell are the ones primarily mentioned from this point forward, suggesting that maybe McBreen was semi-retired by this point.  And by mid to late 80's McBreen, citing old age, was ready to retire completely so he offered to sell the business to one of his clients, Jim Dollens, who was Director of Boeing International in Amsterdam at the time and had recently had his home redesigned by Walter Baz. Jim accepted the offer and soon moved back here, setting up his own office in Bellevue.  He then hired John Brotherton to manage the company for him and moved their office from 905 East John over to the Madison Park neighborhood, right outside the Arboretum.  In short time though, John took considerably more interest in the company and bought out Jim Dollens in the early 90s right around the time McBreen died in October of 1991. Whatever came of the business hereafter, remains to be determined.

Twice Sold Tales

After McBreen Interior Design moved out, a clothing store moved in for maybe a year or so before Jamie Lutton moved Twice Sold Tales into the space from a cart in Broadway Market in July of 1990.  Jamie had been selling books since the 1980s finding rare 1st editions and signed copies at thrift stores and selling them elsewhere at a profit. As her collection grew larger, she set up a book cart at Broadway Market (where QFC is now) for a couple years before moving into 905 East John along with several of her cats.  Twice Sold Tales thrived at this location and even expanded over the following 15 years.  It absorbed two of the adjacent storefronts in the same building and then additional storefronts opened elsewhere in the city at 45th and University (now a Chase bank) in 1997 and at 7 Mercer Street in Queen Anne in 2004. All sorts of great stories about these years can be found all over the internet recounting events ranging from the whimsical such as water gun fights and impromptu mini-raves to those more dangerous such as run-ins with unruly visitors and passersby.

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However, Jamie knew at least since 1999, that business at 905 East John and all the joys and challenges that came with it, would have to end sooner than she'd like.  Plans for the Capitol Hill light rail station were already being discussed at this point, but, as many of us know, wouldn't actually move forward until 2008 when Sound Transit finally issued its eviction notices.  The departure wasn't easy, especially since it came on the heels of a recession, but after selling out her interests in the Queen Anne and the U-district stores (both no longer in business) Jamie reopened Twice Sold Tales at the corner of East Denny Way and Harvard Ave East where she operates to this day.  She remains a bit sore over the way the city and Sound Transit handled the whole process, but she is optimistic that the light rail will ultimately increase revenue.

As of 2025, Twice Sold Tales is still in business and owner Jamie Lutton is still at the helm. She is pictured below in 2022, her 35th anniversary.

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